|
Here are all the paintings of Maratta, Carlo 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 19278 |
 |
A Young Man |
1663
Oil on canvas
Gemäldegalerie, Berlin. |
| 84287 |
 |
Cardinal Antonio Barberini |
17th century
Medium Oil
cyf |
| 19280 |
 |
Madonna and Child Enthroned with Angels and Saints |
1680-90
Oil on canvas
Saint Maria in Vallicella, Rome |
| 29315 |
 |
Pope Clement IX |
mk65
Oil on canvas
62x46 1/2"
|
| 19277 |
 |
Portrait of Andrea Sacchi |
1650-55
Oil on canvas
Museo del Prado, Madrid. |
| 28097 |
 |
Portrait of Andrea Sacchi |
mk61
c.1650-1655
Oil on canvas
67x50cm
|
| 19279 |
 |
Portrait of Pope Clement IX |
1669
Oil on canvas
Vatican Gallery, Rome. |
| 28994 |
 |
Self-Portrait |
mk65
Oil on canvas
28 9/16x23in
Uffizi,
|
| 19281 |
 |
The Assumption and the Doctors of the Church |
1689
Oil on canvas
Saint Maria del Popolo, Rome. |
| 42018 |
 |
The Immaculate one Concepcion Second half of the 17th century |
mk166
Painting al I wave Saint
Maria of the Popolo, Rome |
| 42050 |
 |
The Madonna and its aparicion to San Felipe Neri |
mk166
1672
I Wave on cloth
197x343cm Uffizi,
Florence |
| 29997 |
 |
TheMadonna Appearing to St.Philip Neri |
mk67
Oil on cnavas
77 9/16x135 1/16in
Pitti,Palatine Gallery
|
|
|
| Maratta, Carlo
|
| Italian Baroque Era Painter, 1625-1713
was an Italian painter of the High Baroque period, active mostly in Rome. Born in Camerano, then part of the Papal States. He came as a boy of 12 to apprentice in the studio of Andrea Sacchi. Like Sacchi, his paintings have a classicizing tone, inspired by the works of the great painters from Parma and Bologna: Carracci, Guercino, and Lanfranco. He developed a close relationship with Sacchi till the death of his master in 1661. He worked alongside Francesco Cozza, and Domenico Maria Canuti in the decoration of the Palazzo Altieri. His first prominent work is an Adoration of the Shepherds for San Giuseppe die Falegnami in 1650. He came to establish one of the most prominent art studios in Rome of his time. Other major works are the The Mystery of the Trinity Revealed to St. Augustine (c. 1655) painted for the church of Santa Maria dei Sette Dolori, The Appearance of the Virgin to St. Philip Neri (c. 1675) now in the Pitti Palace of Florence, The Virgin with Saints Carlo Borromeo and Ignatius of Loyola and Angels (c. 1685) for the church of Santa Maria in Vallicella, and The Assumption of the Virgin with Doctors of the Church (1689) for Santa Maria del Popolo, . His numerous depictions of the Virgin earned him the nickname Carluccio delle Madonne (Little Carlo of the Madonnas). The style of Maratta is a classicized Baroque, more restrained and composed than the styles of Cortona and Carracci, thus more allied to the traditions of Sacchi, Albani, and Reni. He was one of the artists favored by Giovanni Bellori. Maratta was known for his insightful portraiture. In 1650, Maratta was introduced to pope Alexander VII, who commissioned many paintings including one of his greatest works, a painting of Constantine destroying the idols for the Baptistry of the Lateran. This work brought Maratta increased fame in the Vatican, and in 1704 Maratta was knighted by pope Clement XI. Other works include an altarpiece in the San Francesco Saverio Chapel of the Church of the Gesu, in the right transept. In 1679 or 1680, a daughter, Faustina Maratti Zappi was born to Maratta by a mistress,
|
|
